Artist of the Month: clipping.

by Dustin

clppng

At one point in the late months of 2014 someone linked me to clipping.’s release from a year earlier, midcity. One thing lead to another and… Well, I ended up binge listening to every scrap of material the hip-hop trio could offer. What I learned swiftly is that clipping. really isn’t your usual rap act even though the lyrical subject matter can seem familiar. In fact, they probably couldn’t be further from the norm.

If you’ve heard a single clipping. song in your life then you will know exactly what I mean. Let’s start with the production. That sexy, sexy production. William Hutson and Jonathan Snipes create some of the most abrasive (in all the right ways) and noisy instrumentals I’ve ever heard, yet they remain pleasing to the ears; moreover, I find their production to be incredibly atmospheric. My favorite example of this is the song Story 2. Though Daveed Diggs lyrics are rich with story-telling goodness, Hutson and Snipes’ production turn the song into a beautifully anxious and emotionally draining listening experience.

Seriously, did you just listen to that song? If you have to take a moment to let your heart rate come back down I wouldn’t blame you.

I should probably talk about Daveed Diggs now that I’ve mentioned him. Fun fact, he’s recently won a Grammy for some of his musical theatre work. Talented guy, and he’s also a pretty fantastic rapper. I would say that his greatest strength is his ability to lay thick descriptions in his writing effortlessly. As I mentioned earlier, Story 2 does showcase this, but it’s a pretty standard part of Diggs’ style. Take for instance the horrorcore flavored track from CLPPNG, Body & Blood (note: the video I’ve just linked to is most definitely not safe for work, you have been warned). He verbally paints a picture of the murderous female lead’s physical appearance and behaviors without forcing anything into the verse. It’s just lovely.

Well, as lovely as you can get when talking about a cannibalistic female serial killer, but that’s a discussion for another day.

Another thing about clipping. that I respect is their versatility within their own sound. On one hand, they’re masters of the ultra-abrasive tracks that are perhaps not so accessible. Intro is one of these songs. It’s loud, and it wants to permanently damage your eardrums to the point that you develop tinnitus (I say this with love, the sound is great). On the other hand, clipping. has put out songs like Summertime which are ridiculously smooth given the production style.

As a side, if you just listened to Summertime and don’t want to be cruising around in August with your windows down, I don’t know what to say. I know the subject matter isn’t happy, but you can still leave if you don’t agree with me. Seriously, there’s nothing more for you here because we will never agree on anything.

Just kidding I love you.

Allow me to issue a personal challenge to anyone who reads this article: listen to a clipping. project in full. I expect that the sound wont click with every single person that checks out their music, and that’s certainly okay. For those who end up enjoying the sound though (such as myself), you’ll find yourself pleasantly addicted to one of the most unique acts currently in hip-hop.

Here, listen to guns.up. Don’t even try to figure out what’s happening, just let it hit you. Just accept it.

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Author: Extraordinary Nobodies

A hip-hop blog ran by hip-hop fans.

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