Authors note: I thought it’d be appropriate to do one of these before this article, because it’s venturing away a bit from the main focus of our blog. First and foremost, we’re a hip-hop based site. I have no intention of changing that fact; however, I also have many friends who ask me to recommend music outside of the hip-hop genre. Plus, I find it refreshing to step out of my comfort zone and review sounds that I may not be as familiar with.
Maybe you’ll find a new artist you’ll love in these “Exploring Other Genres” articles. Maybe not. Either way, I appreciate you taking the time to read about projects by artists I really love, even if they are unfamiliar to you.
For those who check the site and have little interest in reading about other genres, that’s fair. However, I’m also going to do whatever I want! (I still appreciate your ongoing support, however).
Now, onto the music itself.
Portland, Oregon has been a powerhouse in the indie rock scene for an astonishing number of years. When you see a new act building steam out of that region, it seems only natural to get excited and throw on their tunes for a listen. Enter Poor English, a group hailing from Portland that have chosen to do things a little bit differently. Along with the ever wonderful Darling Recordings (yeah, we like this label a lot, and I think it shows) they have dropped a debut extended play; moreover, Poor English seem to have set out to establish their identity with this release.
If that was indeed the goal, they’ve done a marvelous job.
Poor English takes the stripped-down Portland indie sound and twists it into their own special breed of rock. That delicate balance of fresh-yet-familiar creates an addictive sound that never fails to impress. Right from the onset, the listener is bombarded with powerful guitar hits, transitioning into smooth dreamy singing. The five tracks on the Poor English EP are musical powerhouses, yet they maintain a sense of gorgeous delicacy. The vocals are lovely, and the bands use of layering is phenomenally tasteful. The instrumentation and singing meld together perfectly, creating a wondrously vibrant listening experience.
This extended play feels as if it creates its own environment through flawless cohesion. From the onset of track one to the closing of track five, everything fits together. Not a single moment feels out of place, and it is fantastic.
Another part of what makes Poor English interesting is their refusal to settle into a particular sound or genre. Poor English seems to weave in and out of various sound spaces, sometimes even on a single song. They could perhaps be best described as pop-punk, but it feels impossible to pin to a single genre. This melding of various influences gives the group a very unique identity. The EP feels like a breath of fresh air in a musical space that can, at times, feel stagnant.
That being said, Poor English is also nostalgic in a way. For those in their twenties and thirties this album is a collection of melodies to comfort the inner middle-school identity. It’s the music you loved back then, but if it had been allowed to grown up with you. In a time of relative global distress, Poor English offers serenity. For as new as this project feels, it’s also as if an old friend has come to visit after years apart. And that in itself is beautiful, and really makes Poor English feel like something to cherish.
The only real problem with Poor English’s EP is that it’s very short. Fortunately, they’ve taken to twitter and mentioned that new music is in the works. When approached like a sampler, or a display of potential, this is a breath taking mini-project. One listen is enough to leave one actively anticipating further releases from Poor English.
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