Twas the night before Christmas and all through the house, not a creature was stirring… Aside from Killer Mike and El-P, who decided to surprise release Run the Jewels 3 as a Christmas present to their fans! For those unaware, Run the Jewels is the collaborative effort between Atlanta based emcee Killer Mike, and New York’s own producer-slash-alternative-rapper El-P. The duo worked together on Killer Mike’s 2012 solo album R.A.P. Music, before releasing the first Run the Jewels album in 2013. Run the Jewels 2 would come roughly a year later, and the jewel runners have been preoccupied selling out shows and touring the world ever since.
But after more than two years the third installment is finally here. The main question most will probably be asking is, “was this really worth the extended wait”? The answer is a simple and sweet “hell yes”.
The atmosphere on Run the Jewels 3 is truly terrifying. Mike and El take all the anger of the current social climate and twist them into songs that knock hard enough to give a listener whiplash. Though the album definitely has tongue-in-cheek moments, and hilarious one liners at times, the overlying tone is one of bottled rage being unleashed upon the world. Even the tracks that fall more in line with classic brag-rap have politically based lines tucked in ever so cleverly; moreover, none of the social commentary on Run the Jewels 3 seems forced. Killer Mike and El-P did an excellent job of making sure that lines actually fit where they’re placed, and don’t detract from the overall vibe of a song.
We return from the depths of the badland,
With a gun and a knife in our waistband,
Went to war with the Devil and Shaytan,
He wore a bad toupee and a spray tan.
(Killer Mike on Talk to Me)
Run the Jewels do show their emotional range at times too. For instance, the song “2100” delivered a beautifully sad-yet-uplifting anthem of solidarity for trying times. “Report to the Shareholders” and “Down” also take on a much more mellow sound, breaking up the waves of braggadocio and fury.
Features on this album are used relatively sparingly. For the most part, guest artists are limited to a hook or the odd short singing verse (mainly Tunde Adebimpe on “Thieves!”). Danny Brown provided an absolutely insane and hard hitting feature on “Hey Kids (Bumaye)”, as one would expect. There’s also a special unlisted guest feature who absolutely shredded their verse (but we won’t spoil the surprise, so you’ll just have to listen and find out). Overall, all the features were wonderful and added positively to the songs on which they appeared.
Good day from the house of the haunted,
Get a job, get a house, get a coffin,
Don’t stray from the path, remain where you at,
That maximizes our profit,
Is that blunt?,
Oh well, hell, so’s this boot,
We live to hear you say “please don’t shoot”.
(El-P on Don’t Get Captured)
El-P’s production on Run the Jewels 3 is a treat to the ear. Everything felt much more true to the style he’s developed over the years, in comparison to the stripped down instrumentals on the first two group albums. Some of the beats on this record feel absolutely enormous, and dense to the point that one can pick up a new sound upon every subsequent listen. Fans of El-P’s solo discography will notice that some instrumentals almost feel like throwbacks to his previous works; however, everything has progressed into a heavy, angry, bass intensive style that fits perfectly under he and Mike’s vocals.
It needs more time to digest, but Run the Jewels 3 may have the most enjoyable production of the three records. Given how acclaimed the instrumentals from the first two are, that is saying a lot.
There’s really not much else to say to sum up Run the Jewels 3. It’s a face-melter album that may just make you want to punch a hole in a wall. Killer Mike and El-P closed the year by surprise dropping one of the best albums in 2016. They also released it for completely free, so really there’s no excuse: check this out as soon as you can. Even if you’ve never been a Run the Jewels fan before, do it. Do it right now.