The 1980s were an interesting decade for hip-hop as a genre that had just begun to find its footing. The classic artists of this era are often remembered for one of two things: infectiously bouncy party music, or gritty socially rooted rap. Yet, aside from the big names – N.W.A, Public Enemy, LL Cool J, Run D.M.C., The Beastie Boys, and a few others – rap from this particular point in history seems have found itself overshadowed by the behemoth that is 90s rap. Yet, if one is up to doing a little digging, there are a ton of very interesting artists to be discovered. One such group was Untouchable Force Organization, or as they were more commonly called, UTFO. An east coast rap group that brought a unique flavor to the sounds of the 80s.
UTFO formed in Brooklyn, New York in 1984 when two of Whodini’s regular break-dancers, Doctor Ice and Kangol Kid, made the decision to pursue a music career of their own. The two enlisted the talents of The Educated Rapper and Mixmaster Ice to round out a quartet. Thanks to the group’s pre-existing connections to the music industry it didn’t take them long to find a label to call home. In this case, it was Fred Munao’s Select Records that decided to take a chance with the group. The slightly more experienced R&B outfit Full Force was brought into the fold to assist the newer UTFO, tasked with overseeing the production of their debut studio album. Full Force took this job to heart, and sought the help of sampling and sound design expert Gary Pozner to assist with the instrumental portion of the record. Armed with some of the best in the industry, UTFO was primed to make a splash in hip-hop with their self-titled debut album. Which, is exactly what they did; in fact, the group probably got a bigger response than they bargained for.
Their freshman release is regarded by many hip-hop enthusiasts as a slept on classic, with its unique beats and flows for the era; however, UTFO as an album is still mainly known for setting off a massive string of diss tracks known as the Roxanne Wars. During the promotional run of the album, a track tilted “Hanging Out” was released and performed relatively terribly in terms of pure numbers. The b-side of the single, however, would go on to receive huge amounts of airplay. This song was titled “Roxanne, Roxanne,” a comical track about a hypothetical girl who had ignored the advances of the various UTFO members. Around this same time, UTFO missed a scheduled performance, much to the dismay of venue promoters Marley Marl and Mr. Magic. A 14-year old Lolita Gooden (known by her stage name Roxanne Shante) heard the men discussing the problem, and offered to write a song to fire back at UTFO. Surprisingly they took her up on this offer, and Marley Marl opted to handle the track’s production.
The fruit of their labor would be released not long afterward. It borrowed the original beat from “Roxanne, Roxanne” and was named “Roxanne’s Revenge.” Local radio stations adored the song, thrusting it into instant hit territory with continuous airplay. UTFO and Full Force saw the humor in the situation, and promptly contacted Elease Jack to perform vocals on their own answer track, “The Real Roxanne.” On this song, Elease claimed to be the actual Roxanne originally dissed by UTFO, and took jabs at all four members. This sparked Roxanne fever in the New York hip-hop scene, and artists entirely unrelated to the original incident began releasing Roxanne songs. Topics ranged from claiming to be Roxanne, claiming to know Roxanne, or in one particularly outlandish case, claiming that Roxanne was a man all along. It was such a craze that close to a hundred Roxanne songs were estimated to have seen release in the span of a few years. Though this seems highly likely to be exaggeration, there is no doubt that UTFO made their biggest splash with “Roxanne, Roxanne” and the time period around their debut album.
Perhaps unexpectedly, this was basically where UTFO’s career peaked. The Educated Rapper wasn’t on the group’s sophomore effort, Skeezer Pleezer. And the album itself didn’t garner much attention, apart from the song “Split Personality.” Their next three albums would also fail to meet expectations even though the group experimented with other sounds such as rock, swingbeat and reggae. Ultimately, the hypersexual Bag It & Bone It released in 1991 served as the endpoint for UTFO. The four men parted ways on good terms, and stayed active within the music industry in more subdue roles. They knew when it was time to call it quits, and that never impacted the lifelong respect they had for each other. A true testament to this was in 2017, when all of UTFO were reportedly by Educated Rapper’s bedside as he lost his battle to cancer.
Though they faded out of rap in an unspectacular manner, UTFO’s legacy should probably be spoken about more than it is. As ridiculous as they may have been, the Roxanne Wars were one of the first instances of beef extending beyond a one off diss and response. Their influence on modern artists was also far greater than one would expect, as evidenced by the outpouring of respect and love over the internet following The Educated Rapper’s death. UTFO helped paved the way for individuals that didn’t fit perfectly with the sound of their time. In most respects they were absolute eccentric oddballs compared to their contemporaries, but the group’s genuity left a lasting impression on the hip-hop scene. In retrospect, the present day alternative artist may not have even existed without the lane UTFO began to carve. While they may appear to have been a one hit wonder on the surface, it goes much deeper than that. Doctor Ice, Kangol Kid, The Educated Rapper, and Mixmaster Ice were four of the most important, but least spoken about individuals in the support structure of hip-hop.