Album Review: Open Mike Eagle – Brick Body Kids Still Daydream

by Dustin

2017-09-18

9/10

There’s not much that hasn’t been said about Mello Music Group mainstay artist Open Mike Eagle. He’s rap’s every-man, and an artist who isn’t afraid to wear his heart on his sleeve. Since his studio album debut Unapologetic Art Rap at the beginning of the decade Mike has brought his unique take on hip-hop to new levels seemingly every year. His second full length on Mello Music Group, Hella Personal Film Festival, saw Mike take massive strides as an artist and was a wonderful release. A year and a half later he’s back with a brand new collection of works, Brick Body Kids Still Daydream. And, well…it’s really good. Like, really good.

With that in mind, Brick Body Kids Still Daydream is a bit of a different listening experience than one would come to expect from an Open Mike Eagle album. Gone are lines obscured by absurdist humor and hyper-exaggerated storytelling, replaced by emotionally hard-hitting honesty. It can be perhaps a little jarring, yet this sudden shift adds to the urgency of what’s being said on the album. On full listen, it feels if all twelve songs have at least one line designed to hit you in the stomach; however, his depictions of the American projects and ghettos managed to be honest without relying on shock-bait and emphasis on negativity. Mike made a point of showing the listener that through the institutionalized racism, a lot of amazing people and happy memories are made in these situations. That even though America needs to improve its treatment of marginalized individuals severely, those who grew up in the projects shouldn’t be written off as hopeless.

His personal connection to the projects and focus on the emotional aspect of the experience made Brick Body Kids Still Daydream a beautiful yet challenging listen. As it should be.

Mike also added another dimension to his vocal performances on this album. There were still plenty of moments with his familiar sing-rap soft spoken delivery; however, the energy he brought to some of the songs on Brick Body Kids Still Daydream is unmatched by his back catalogue. He sounded more inspired, focused, and confident than perhaps he has in his entire career, and it was a lovely surprise. The only song that really stood out as not exceptional was “Wedding Ghosts”, but even that sounded good and had its place within the tracklisting.

No services underground,
No sound, when I’m calling home,
City broken my brothers down,
Now I’m standing here all alone,
Sun weathered my monochrome,
My hollow bones, David Bowie told me I’m not alone,
I’m overgrown, but these model homes,
Still here if it’s hot or cold,
Still here if my body move,
Still standing on Cottage Grove.
(Brick Body Complex)

Open Mike Eagle has always had a very keen ear for production, and this release is no exception. Though it’s a bit of a sonic departure from the zaniness of Paul White’s instrumentation on Hella Personal Film Festival, the depressive tone to most of Brick Body Kids Still Daydream is exceptionally well done. The beats all fit together quite nicely as well, which is slightly surprising given the variety of influences on the album. From experimental to 8-Bit, the production team Mike rounded up for this album blended a plethora of styles into hip-hop seamlessly. Brick Body Kids Still Daydream sounds incredibly fresh without trying too hard to be different. It feels natural, and it suits Open Mike Eagle’s style exceptionally.

22 grandkids, one apartment,
Turn the stove on cause we done with darkness,
Social workers don’t want sons with fathers,
When they visit, people bite they tongue the hardest.
(Beezeway Ritual)

As an additional note, Brick Body Kids Still Daydream wasn’t very feature heavy which was nice. That being said, Sammus and Has-Lo brought excellent verses to their respective songs and deserve praise for fitting into the album perfectly.

Brick Body Kids Still Daydream may be the definitive Open Mike Eagle record. It’s somber, quirky, thoughtful, and an excellent showcase of his various styles. It’s undoubtedly too early to say anything for sure, but Mike’s ability to continually push himself forward with each new release is admirable to say the least. Whether or not you grew up in the projects, don’t be afraid to pick up this album and give it a listen or two. Relatability will vary with the listener, but the heart that went into the songs is undeniable and an excellent entry point into Open Mike Eagle’s impressive catalogue of work; moreover, this is easily one of the most unique and enjoyable albums to be released in 2017.

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Album Review: Open Mike Eagle & Paul White – Hella Personal Film Festival

by Dustin

HPFF

7.75/10

After kicking off the month of March by winning the incredibly prestigious Extraordinary Nobodies Artist of the Month nod, Open Mike Eagle looked to have a strong finish to the month with his brand new full length album. Having found a home for his unique brand of “art rap” on Mello Music Group, Mike set the bar high for himself with the one-two album-extended play punch of Dark Comedy and A Special Episode Of. You may be asking, “did he follow up these two projects with another exceptional album”? Well, if you had paid attention to the little score at the top you would already know that yes, yes he did.

The album is also titled Hella Personal Film Festival. So yeah, that’s a thing too.

Hella Personal Film Festival listens almost conceptually, with every track being a movie script to some aspect of Open Mike Eagle’s life. He’s always been a very relatable artist, yet this album manages to push that a little further. Though Mike keeps his absurd, witty, and sometimes sarcastic approach to analysis, it becomes obvious right from the opening track that this project will be at times more serious and introspective. There are moments on Hella Personal Film Festival that seem to put him at his most vulnerable, exposing scars and concerns to the listener.

I heard that when you in a fucked up space,
No one can hear you signal help,
I tried to set them straight,
And tell them I self medicate,
All they saw’s a glitchy video,
But then I never show my cards,
Instead I write for stealth,
Blah blah blah, I cry for help,
All this bellyaching’s just to say,
My belly’s hurting after all.
Admitting the Endorphin Addiction

At times it did feel like Mike had lost some of the vocal energy that he had in abundance on Dark Comedy, but the more somber approached fit the subject matter well. His delivery at times felt more similar to Rappers Will Die of Natural Causes than to his newer work, which was a bit surprising at first. Don’t take that to mean that he took a step backwards though, because that couldn’t be less true. Open Mike Eagle’s writing, emotional awareness, and presence on Hella Personal Film Festival has quite clearly progressed. It’s just more closely related to his older records in terms of overall sound.

The album only has two guest features, Aesop Rock and Hemlock Ernst (the rap personal of Future Islands’ Sam Herring) on “I Went Outside Today” and “Protectors of the Heat” respectively. This selective use of guests artists is fairly typical for an Open Mike Eagle album, and both managed to add something to the songs on which they were featured; however, Aesop probably had the more interesting verse of the two with his ever-so-confusing charm. Busdriver also makes a quick appearance at the end of “Dang is Invincible” where he says a grand total of nine or ten words. He’s not listed as a feature, but the voice is unmistakable.

Gotta admit it’s hard to feel good without being narcissistic,
Did the whole tour and didn’t get a parking ticket,
Looked in my heart and there wasn’t no darkness in it,
Feel awesome dude, found some wind to throw caution to!
Dang is Invincible

Production also really has to be discussed for this album as it was a collaborative effort with UK based music producer Paul White. White is perhaps most well known for his work with Danny Brown will on both XXX and Old. He has also provided production for the likes of Homeboy Sandman and Guilty Simpson. As far as the instrumentation on this album, he did a wonderful job at providing beats which compliment Open Mike Eagle’s voice. The sound is somewhat more conventional that most of Mike’s discography, but in this case that is certainly not a bad thing. There is not a single instrumental on Hella Personal Film Festival which feels out of place. They flow into each other very nicely, building a cohesive atmosphere throughout.

If you were looking for powerful booming production though, you wont find it here. It would be kind of questionable to be looking for bangers on Open Mike Eagle album in general because that’s not really his style, but hey, it was worth a mention.

Living from check to check, I keep checking,
Incoming call, directly reject it,
If you want to talk, suggest you leave message,
I check, check, check like every three seconds,
I’m recording right now and I’m checking between takes,
Every notification that my phone machine makes,
I put it down whenever, but it’s never a clean break,
I should get a heavy phone and pretend it’s a free weight.
Check to Check

Basically, if you are a fan of Open Mike Eagle’s previous work it’s not a stretch to say that you’ll enjoy what Hella Personal Film Festival has to offer. It might not be the best jumping off point for a new listener, as it is surprisingly more dense than an album like Dark Comedy (which is probably the easiest album in Mike’s discography to jump into in terms of lyrics and overall sound). If you’re looking for an record that takes multiple listens to fully digest, but still offers some comedic relief, then Hella Personal Film Festival may just fit your taste perfectly.

Just be sure to give it more than a single spin (you’ll want to anyway).