To fans of the now disbanded Definitive Jux, the name Uncommon Nasa probably isn’t terribly unfamiliar. As an engineer he had his hands in the release of some of the labels most notably early works. For those unfamiliar, however, he’s also an extremely talented producer and emcee. Staying true to his roots as a musician, Nasa is a bit of a throwback to listen to. His music embodies the sound of New York’s underground scene, and his many releases show a true dedication to his own craftsmanship; however, this most recent project is a little bit different. Written at Night panned back from Nasa as a focal point and took a highly collaborative approach with other artists.
Though unconventional, this approached payed off in spades when digesting the final product.
The theme of Written at Night was relatively loose. Instead of chaining artists to specific topics, the album acted more like a diary of late night thoughts; moreover, there was “lightning in a bottle” feel to this sort of approach which was really quite interesting. The guest appearances often felt rough around the edges, as if the artists caught a wave of creativity in the dead of night and rolled with whatever came out of their pen. This is far from a negative however, and it was a massive part of Written at Night’s charm. It also made the album unpredictable. Even when approaching features with quite distinctive styles such as Open Mike Eagle and Quelle Chris, there was no real way to figure out what sort of direction they were going to take on their respective songs. This unpredictability added a nice sense of required engagement, as if turning ears away from the album for even a moment could result in missing something important.
Uncommon Nasa himself appeared on every song, but his presence was not overly pronounced. This was by design, as (like mentioned earlier) Written at Night was intended to be a collaborative release. Respectably, he kept true to this idea and didn’t force himself into the spotlight on any of the tracks save for the few solo portions at the very beginning. When Nasa did step up to the mic though, he was quite solid. His throwback New York style and enthusiasm toward hip-hop as an artform were evident. His style felt nostalgic, a throwback to the New York underground during the turn of the millennium. Being that this style doesn’t have much presence in rap currently, it was refreshing to hear on Written at Night. He may have a sound that isn’t for everybody, but there was certainly no denying the passion and thought that went into his contributions.
Nasa did, however, make himself very present on the production end of things. Handling every single instrumental on the release. He did a great job given the amount of vocal talent he was producing for. The beats were gritty, and satisfying to listen to; moreover, they were open ended enough to accommodate every artist in a comfortable way. His production wasn’t overly flashy, but it had a character and consistency which kept it engaging throughout the entirety of Written at Night.
Another interesting aspect about this album is that it seemed to gradually get more “out there” as it progressed. While a lot of albums tend to build to a climax, it was certainly a nice touch to have an album centered around late night thoughts and creativity progress in a way similar to the human mental state during the late hours of the evening. This did give the record a bit of a slow burning quality, but also a very satisfying and pleasurable complete listen; moreover, one should expect to enjoy this album more in its entirety, rather than individual songs. It was crafted in a way that lends itself perfectly to a long-form listening session.
At the end of the day, Written at Night was a compilation of likeminded artists coming together to create whatever they felt like creating. It is difficult to fairly score an album with such an open ended concept and variety of voices; however, Written at Night was undeniably solid. Nasa did an excellent job of piecing everything into properly cohesive listen. If you’re a fan of any of the artists on this release there’s probably something for you here. Incidentally, it’s also a good record to pick up if you’re looking for some new artists to dive into. Definitely a highly recommended listen.