Album Review: CURTA – End of Future Park

by Dustin

endoffuture

8/10

Life as an independent artist is one heavy with fraught uncertainty. Finding footing amongst industry giants and a never-ending feed of new music is challenging enough without frequent shutdowns of the few venues which cater to the scene. Many feel nomadic, resulting in a strong urge to return to a fleeting musical home. It was no different emotionally for two CUTRA and 4Digit, so they took these feelings and concentrated them into a project of musical venting. The result, End of Future Park, ended up equal parts mournful and celebratory. It served as a sort of “homage to [a] place which doesn’t exist anymore; never existed; or will maybe exist at some point in the future.” Quite honestly, it was done extremely tastefully.

As with Click-Bait, 4Digit handled the production in its entirety on this release; however, End of Future Park was gloomier and significantly more experimental in nature. The project had an unsettling dystopian vibe, cultivated within the instrumentation by selective use of glitch and electronic elements. In some ways, the production followed a similar formula to some of clipping.’s earlier material by taking the foundations of hip-hop and twisting them with blowed out noise and synthetic heaviness. That’s not to say that it was derivative though, as the production was still noticeably his own flavor. The final track was also created using a curated mix of his left-over production prior to relocating. It may not have been the headliner on the album, but it was a lovely bonus to the total package.

On the vocal end of things CURTA wasted no time in proving he and 4Digit’s chemistry as a team. His exasperated, hyper-observant style complimented the glitchy and dark production wonderfully. He displayed the ability to inspire a painful hopelessness with his lyrics and delivery, similar to an artist such as Joe Horton of No Bird Sing. He isn’t the flashiest or most technically advanced of emcees, yet he always seemed to bring exactly what a track was calling for. His vocals also had an almost live-show quality to them, which was the perfect organic contrast to the heavily computerized instrumentation.

To keep it short and sweet, End of Future Park sounded like a rap concert happening atop a busted motherboard…that’s being said in the most positive way possible, because it truly was a fun experience.

Featured artists were kept to a minimum on this release. There was however a single guest, and he was a rather interesting one. This was of course Milwaukee-based WC Tank, perhaps most notable for his involvement in the production of music videos for Busdriver. He appeared on the track “I’m So Cool” – one of the weirder cuts on the album – and was a fantastically placed feature. While guest artists can feel pointless sometimes, WC Tank was absolutely not one of those cases. He added a pleasant sense of variation that made the full listen all that much better.

End of Future Park was an album that might not be a perfect fit for everyone’s tastes. It felt more niche than the majority of indie hip-hop releases; however, through that process CURTA put together something fully realized and true to itself. Ultimately the narrowed focus allowed for a concise, very enjoyable project. There were a lot of things here that haven’t been explored sonically by many, if any, artists in the past and that alone was quite admirable. The fact that CURTA and 4Digit managed to adventure into uncharted territory and leave with music that very genuinely sounded great was the cherry on top. For someone actively engaged in the experimental and alternative rap scene, this was certainly an album worth giving some extended attention. For those less familiar, it remained accessible enough to not be an intimidating first step into the world of weird. It also certainly posed the question of where exactly CURTA will take his sound in the future. A question that should be met with excitement and anticipation, taking everything into consideration.

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EP Review: CURTA – CLICK BAIT

by Dustin

clickbait

7.75/10

CURTA is a two man band consisting of CURTA on the mic and 4Digit on the instrumentals. Are you confused yet? Don’t be. Much like many assume Slug’s stage name is “Atmosphere” (poor Ant), the same situation happened with CURTA. People saw an emcee jumping around on stage an it was assumed he was the only one under the namesake. So he adopted the name, and his excellent producer took on the title of 4Digit for easier crediting. It’s a beautiful compromise, and they do create all CURTA music together as a team. Truth be told, the music is a thousand times more notable than the slightly tricky name situation for one simple reason: it is really good. Their new EP – coming via FilthyBroke and Hello.L.A – is no exception to this either.

Also, it’s called CLICK BAIT, which is potentially the most culturally relevant album name in the last couple of years.

The production on CLICK BAIT is its most intriguing, and difficult to describe, feature. The overall vibe is inherently hip-hop, but the instrument selection is some sort of delectable electronic chaos. It feels reminiscent of Hellfyre Club’s sound through their early 2010s reign, or perhaps the long lost sonic cousin of 2005 Definitive Jux. It is strange. For instance, the song “Sky High” featuring Serengeti’s alter-ego Kenny Dennis (which should be noted as an amazing feature) has an instrumental that sounds like an acid trip through the scariest carnival imaginable; moreover, every single track on CLICK BAIT has a beat that is equally as interesting. On a short listen like this, that is a wonderful thing to be able to claim. It makes the overall listen feel much more fleshed out than one would expect from a six track release and aids in listener engagement.

With such involved production, there is always a worry about the emceeing on top of it; artists run a very real risk of their voice getting lost behind the lush backdrop. This is not the case on CLICK BAIT however, the rapping is charismatic and manages to blaze its own trail. This is a band, after all, and they’ve got the chemistry to back up that label.

With that in mind, the rapping on CLICK BAIT isn’t going to blow you away with technical prowess or hyper-intricate eight syllable rhyme patterns. Nor are you going to find disgustingly catchy hooks on this project. Let’s be honest though, that style of delivery would be way too boring over 4Digit’s darting electronic production style. Instead, the CURTA style is one of a smooth-yet-strained emotional punchiness. His intensity matches that of the instrumentation, the lyrics hit surprisingly hard, and very rarely does he misstep. His rap style shares similarities with that of an artist like Soul Khan, and has a palpable tension behind every line. His rapping is the exact style this sort of music calls for, and the complimentary nature between instrumentals and their paired vocals is a delight.

As with most EP releases, the only real issue with CLICK BAIT is that it is a bit of a musical cock-tease. The songs plow full steam ahead, but never quite take flight like you would see in a long-play album. This isn’t a criticism of the music itself, quite the opposite actually; the tracks on CLICK BAIT are so enjoyable that it is nearly disheartening when it ends. As mentioned, this is standard drawback for any really good EP, but it is worth noting nonetheless.

At the very least, this small packet of music from CURTA is more than enough to spark interest in the duo. It might end just a little sooner than one would like, but every moment on the release is enjoyable and well worth the listen.