Welcome to the Collectors Corner, a new article series on Extraordinary Nobodies where we will be taking a look at physical media from all sorts of record labels and artists. Most of these will be coming from my own collection, but my (kind of) wonderful co-writer Apu will also be contributing from his assortment of music on occasion. Collectors Corner will be a little more relaxed (and a little less hip-hop focused) than some of our other articles, serving as break from the usual… Mostly for myself, but I’m sure variation in content is healthy, right?
Primarily, I just thought it would be fun to spotlight some of the cool and weird physical releases that constantly pop up in the music scene. We’ll also get the chance to throw in some mini-reviews of albums we otherwise wouldn’t have the time to review… Wow, this is great, right? Right?!
Now, let’s just jump right into the first batch of albums in the collectors corner spotlight:
From Poor Little Music, an underground Canadian label that deals primarily in cassette and floppy disk (yes, you’ve read that right) releases, I picked up Meme Vivaldi’s Smile on tape. The art on the packaging itself is really nice. There’s something about it that I found to be somewhat vaporwave inspired, particularly on the inside of the j-card insert. The cassette itself is a brilliant orange, and features a sticker rather than stamping.
Smile basically sounds like the soundtrack to an artificial intelligence having a mental breakdown. It is an incredibly odd little electronic album, but it’s also a lot of fun. I hadn’t personally heard Smile when I purchased it (yay, impulse buys), but I was pleasantly surprised once I got a chance. The sounds here definitely aren’t for everyone, but those looking for a mind-fuck will probably enjoy it.
Smile is also a limited edition of 30, so if you’re looking to own a cassette you may want to get on that soon. Hell, they could already be sold out by the time you read this. Sorry.
From SubPop Records and Deathbomb Arc, I also picked up the cassette version of clipping.’s Splendor & Misery. There were a few different physical media options for this album, but ultimately I ended up going with the cassette because the packaging is gorgeous. The cassette itself is wonderfully industrial looking, coming coloured in a clean light gray.
The insert has a very classy foil look to it, complimented by a retro feel to the rest of the packaging. This is very honestly one of the nicest looking cassette releases I’ve seen this year and I would fully recommend it to anyone looking to add to their collection. Plus, something about listening to glitched-out experimental hip-hop on cassette just feels right… And that is the most pretentious sentence I will ever write in my life.
Splendor & Misery is one of my absolute favorite releases this year; you can read more about my thoughts on this album in my full-length review.
Third is Offsite & Wontu’s collaborative effort After Shenron. This album comes via Every Dejavu. The packaging on this tape is a really an aesthetic treat. From the incredible blue colour on the casing itself, to the beautiful album art. It looks great in my collection, but more importantly it is also a wonderful little project musically.
The production and rapping, are a very chill alternative brand that fans of rappers such as Open Mike Eagle and milo will certainly enjoy. After Shenron is short, but it feels like it packs enough content to sink your teeth into.