We have to kick off this review by wishing a happy three year anniversary to the record label FilthyBroke Recordings. Extraordinary Nobodies has had the pleasure of becoming fairly close with Michael and some of his friends over the last couple of months, and we’d like to congratulate them on reaching such a milestone. From trusting us with early press, to genuinely taking interest in the other material we’ve written about, our relationship with FilthyBroke has open up a ton of opportunities. For that reason, we would also like to extend our thanks and wish Michael many more years putting out great music.
Which takes us to the meat of the article… A discussion on the record being released to help celebrate the third year of FilthyBroke Recordings. We’ve had to put this in the Exploring Other Genres category, for it’s not hip-hop; this record truly cannot be shoehorned into any category (but we’ll be discussing that a little later). You may now be asking, what is this record? Who is this record by? Where can I listen to such a record? Will this record cure my irritable bowl syndrome? Probably.
But it’s time to stop asking questions and start receiving answers.
The record is Rock und Roll, a release by the one and only Dean Cavanagh under the name YAH! If the name Dean Cavanagh sounds familiar to you, it’s probably because he’s an amazingly talented and well traveled individual. From the electronic music outfit Glamorous Hooligan, to running the magazine Herb Garden, to being a critically acclaimed screenwriter, Dean has seemingly been everywhere and done everything. When a figured such as him comes out of the woodwork to drop an album, ears perk up. Even if the release doesn’t set the world on fire, it’s almost a certainty that it will be stuffed to the brim with creative and unconventional ideas.
Rock und Roll is no exception.
Much like Walter Gross’ Vestige from earlier this year, Rock und Roll is an album that is incredibly difficult to define using conventional genre outlines. Each individual song has so much going on instrumentally that it’s like being smacked with wave after wave of musical eras and influences. One minute Dean has you convinced that you’re about to bite into an electronic dance epic; two minutes later the rug has been pulled out from under your feat and you’re bobbing your head to retro surf rock. That’s not exaggerated either, throw on “Big Knee” and then wait a few tracks until you hit “Rumble in Berlin.” There’s even some distinctly punk-flavors to the album, such as the drum pattern on the otherwise synthetic “Dungeness Bank Holiday.”
In spite of all of this, Dean managed to structure the album in such a way that all the sounds fit together. Tracks felt as if they belonged, and served a purpose. With all the styles happening at once, this is really a commendable accomplishment. With Rock und Roll being only eight tracks long, there was a big risk of something feeling out of place. He avoided this entirely, leaving the end product to be a very satisfying listen; moreover, he kept the album consistently engaging even though there were no vocals. That can be a hard task for instrumental works, but not so for the YAH! mastermind.
If there’s one thing that can be said about this album, it’s that Dean Cavanagh is not afraid to “try trying” in any sense. Some of it kind of works better than others, but as a whole, the project is a blast to listen to. The fun thing about Rock und Roll is that it works marvelously both as an active listening record, and as a background soundtrack to whatever you’ve got going on currently. The playfulness the album exudes is also fitting as we move out of the dreary days of winter into the crisp warmth of early summer.
Rock und Roll feels like an album that ten different people could like ten different things about, so definitely consider giving it a look if you’re craving something a little different. A little change can be major musical palate cleanser, and this album is certainly a dose of different.