Collectors Corner: UGK – Too Hard To Swallow (2017 Vinyl Reissue)

by Rajin

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Last year marked the 25th anniversary of UGK’s debut album Too Hard To Swallow. To celebrate, Get On Down Records released a special reissue for Record Store Day, limited to 1,000 copies. Previously only released on CD and cassette, this was the first time the seminal Dirty South album was pressed on vinyl (aside from a 1992 promotional only pressing which wasn’t for public sale).

This was one of the first records I bought after getting into vinyl at the top of this year. On my first trip to the record store I saw it while flipping through hip hop records, but for some reason I didn’t think to pick it up. No more than a few days later I was idly reflecting on that visit, and decided to look this album up on Discogs. Upon doing so, I read details about it that made me realize the mistake I had made in passing it up. About a week later I went back trusting that if it had stayed on the shelf for 8 months, it would still be there. Sure enough, it was, and I went home with what remains to be the coolest vinyl I own as of now.

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The first thing that you’ll notice about the record is the way the cover art has been altered. Pimp C, Bun B, and the lettering are all gold, and essentially everything else is dark blue. I’m not entirely sure why the cover has been altered the way it has, and I don’t really know how I feel about it. While I don’t remember if it was the only reason I didn’t pick it up at first, the changes were definitely part of why I was apprehensive. I imagine I thought I would find an earlier pressing with the original cover, only to find out that this is the first vinyl pressing. I will say, it gives the cover a sleeker look than the original. It looks more like an actual album cover, and less like a picture with word art on it; however, it does eliminate the charming simplicity and overall “Dirty South” vibe that the original album art had.

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The record sleeve is a little thinner than I personally prefer for a 2xLP. There are no inserts or anything to speak of; the credits are all listed on the back cover, which follows the same color scheme as the front cover. There really isn’t anything else to the packaging. The actual vinyl is where the release gets more impressive to me. It was pressed on clear vinyl, which makes it one of the more aesthetically pleasing records that I own. I really like how you have a view of the grooves that you don’t get on other colors. Not only does it look extremely cool, it makes it much easier to see whether the record is dirty or not. The colors used on the sleeve are also used on the vinyl labels, which actually serves as a gorgeous contrast to the clear vinyl.

The pressing itself is a pretty good one. I’m no audiophile, so perhaps others who have listened to it would dispute me on this, but I love how full the funky, syrupy bass on this record sounds. Tracks with slower and more detailed production like “Feel Like I’m The One Doing Dope” become infinitely more immersive than the digital version is. The vocals also sound great, and honestly better mixed than they were on the original release. Bun B’s booming voice in particular sounds great on this pressing.

Ultimately, the best thing about this is that a classic album has finally gotten the vinyl pressing it always deserved. Too Hard To Swallow was already an album that anyone who considers themselves a fan of hip hop should own, but this pressing is special. If anyone sees it hanging out at your record store, pick it up. Don’t even think about it.

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Collectors Corner: clipping. – CLPPNG (Standard CD Release)

by Dustin

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Welcome to the newly revamped Collectors Corner. We’re going to be transitioning from speaking about multiple albums at a time, to a more in depth look at unique individual releases. A bit of discussion of some of our personal favorites from our collections. I’m a big fan of creative packaging when it comes to albums. In an era where digital is becoming the norm, an act going the extra mile with design can be the difference maker when it comes to putting out the extra cash for a physical copy. It can be particularly attention grabbing when it’s an unconventional CD release. CD can be a pretty boring piece of media at face value. Standard jewel cases feel incredibly sterile; even digipaks can seem uninspired, regardless of the fact that they tend to be better looking than plastic casing.

Today we will be having a look at one of these extra cool albums, clipping.’s 2014 record CLPPNG. Released on Sub Pop Recordings, catalogue number SP1071, in compact disc format.

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The front cover of CLPPNG.

When I ordered my copy of this record, I had very little idea of what to expect. It was around the time I had first started my music collection, and all I knew was that I dug the album. When the parcel came in the mail and I finally got my hands on it I could not have been more pleasantly surprised. Upon opening the tri-fold outer casing, you’re greeted with very creatively edited pictures of all three members of the group in a very pleasing black and white. The print quality is high, leaving all of the artwork looking well defined and clear. The cardboard itself is incredibly thick and has a slick finish. It feels quite durable, and the corners don’t seem to be quite as prone to breaking down as you might expect from a digipak. Overall, I am a fan of CLPPNG’s outer package. It’s not a groundbreaking design by any means, but it’s cleanly put together and tastefully minimalistic. This creates a kind of contrast with clipping.’s noisy and chaotic music that I thought was quite clever.

That aside, there are some internals to discuss as well. The two outer segments of the tri-fold digipak are hollow and have some goodies to look at. One contains the credits booklet, and the other contains the disc itself.

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A look at the internals of the packaging.

The credits booklet was a necessary addition, but it is not overly substantial. It contains song names and additional credits that aren’t listed on the digipak tracklist. I would have liked to see a lyric booklet, or possibly some more photos of the group in a style similar to those in the tri-fold; however, the rest of the packaging is relatively minimalistic and this does fit that style. It felt more like a reference sheet, but it still looks really nice; moreover, there are some interesting tidbits as far as minor vocal credits that will appease the super-fan curious about all details of any given song.

The CD is probably the most interesting part of the album packaging in my opinion. The artwork on the disc is just a minor reworking of the album cover, but the real showstopper is how it is stored inside the digipak. Rather than clicking into a plastic holder or just slipping inside the case, the disc is wrapped in a paper dust cover very reminiscent of those you would find in a vinyl release. This protective sleeve even has a bit of a design on it that pairs up nicely with the album artwork. It’s such a small little thing, but it turns a cool tri-fold digipak into something special. Given my own personal preference for vinyl (as well as its resurgence in recent years), it just felt really awesome to open up a CD that takes influence from that style of packaging. Vinyl is expensive, and having a more affordable option such as this offering part of the same tactile experience is fantastic.

As far as sound quality goes, it’s a CD so there aren’t really any surprises. CD doesn’t tend to have the variability in terms of sound quality compared to vinyl pressings, and CLPPNG is no exception to that. It sounds great, but it offers no benefit when compared to the digital version of the album (particularly if you have the album in a 320kbps mp3 or lossless format). This release isn’t a must for audiophiles, and lends itself much more to those who simply love collecting physical music.

Ultimately, the CD version of CLPPNG is well worth buying if you’re a fan of the release. I would have personally preferred the vinyl, but I would be lying if I said this wasn’t unique. The assembly and design of the packaging are both superb, well above the average I would hold against compact disc. Though I do have a few deluxe editions and short run releases from other artists that I like more, this is probably one of my most cherished standard versions of an album in this format that I own. Time and time again I find myself smiling when I open up the digipak to give the record a playthrough. There’s just something about the minor details that make CLPPNG feel like something special. I recommend it fully for the avid music collector.